Anyhow, this board is a full-on big wave gun – built for tackling serious North Shore surf. 9’1”x21.5”, vee in the nose and again just forward of the fin to flat out the back. This is based on inputs from a couple of prominent shapers – the vee in the nose helps negotiate chop on those big Sunset faces, and vee-to-flat in the tail provides a good balance of stability and maneuverability. Triple-stringer 2.0 EPS with heavy glass (double 6 oz bottom, triple 6 oz top).
Showing posts with label airbrush. Show all posts
Showing posts with label airbrush. Show all posts
Monday, November 28, 2011
Konahuanui
Konahuanui is the name of the highest peak on the Koolau range on Oahu. It sits prominently over the Hawaii Loa campus of HPU and looms large above the Pali gap (where the lookout is). The name, according to Tom Stone (professor of Hawaiian studies at Kamehameha) means “his large fruit”…as it is shaped a bit like…well, you get it.
Anyhow, this board is a full-on big wave gun – built for tackling serious North Shore surf. 9’1”x21.5”, vee in the nose and again just forward of the fin to flat out the back. This is based on inputs from a couple of prominent shapers – the vee in the nose helps negotiate chop on those big Sunset faces, and vee-to-flat in the tail provides a good balance of stability and maneuverability. Triple-stringer 2.0 EPS with heavy glass (double 6 oz bottom, triple 6 oz top).

Anyhow, this board is a full-on big wave gun – built for tackling serious North Shore surf. 9’1”x21.5”, vee in the nose and again just forward of the fin to flat out the back. This is based on inputs from a couple of prominent shapers – the vee in the nose helps negotiate chop on those big Sunset faces, and vee-to-flat in the tail provides a good balance of stability and maneuverability. Triple-stringer 2.0 EPS with heavy glass (double 6 oz bottom, triple 6 oz top).
Tuesday, October 18, 2011
Ride Report: Hynd Sight
Riding finless takes an entirely new mindset to surf. Paddling and catching the wave is pretty much the same…but try and crank a bottom turn off the tail like a “normal” board and you’ll just swap ends. Move your weight forward – engage much more of the rail – and order is restored. It’s much more sensitive to small inputs; and the crutch is to stay very low and use your hands for coarse corrections – but it’s totally manageable. On a wall, once the rail bites it really takes off. On the flats it’s more squirrely. I understand D. Hynd’s 360 moves now – they functionally slow up the board while the wave catches up. Plus they are fun! Easier to paddle and take off than the alaia, with the same speed thrill.




Wednesday, September 28, 2011
Hynd Sight
The natural evolution of my finless surfboard obsession was realized recently when I came across some video of Derek Hynd surfing Jeffrey’s Bay on a finless board with deep channels in the tail.
I’ve been a fan of channels for a long time – my go-to board for the North Shore in college was a 6’ 10” thruster with deep channels. It was the fastest board I had ridden and would make sections that otherwise I’d get stuck behind.
Anyhow, Mr. Hynd’s boards are somewhere in between an alaia and a modern fiberglass board, with the funky tail. I’ve had success with my hollow-wood “Nohu” board – I’ve ridden it nearly exclusively since I made it. One of my lessons learned is that the tiny little twin fins on it bite almost as much as full-sized fins. Between the rail, the tail design and those fins, it really held tight. Maybe too tight for what I was looking for.
So I took what I could glean from Hynd’s designs and combined them with my alaia and Nohu knowledge to come up with this “Hyndsight” design. It’s 6’10”x 21 5/8”, about 3” thick but with a good amount of foam removed from the tail concaves and the nose. The top and rails were painted to match my old Sunshine quad from 1984. The bottom…well, I let my creativity get the better of me.
I’ve been a fan of channels for a long time – my go-to board for the North Shore in college was a 6’ 10” thruster with deep channels. It was the fastest board I had ridden and would make sections that otherwise I’d get stuck behind.
Anyhow, Mr. Hynd’s boards are somewhere in between an alaia and a modern fiberglass board, with the funky tail. I’ve had success with my hollow-wood “Nohu” board – I’ve ridden it nearly exclusively since I made it. One of my lessons learned is that the tiny little twin fins on it bite almost as much as full-sized fins. Between the rail, the tail design and those fins, it really held tight. Maybe too tight for what I was looking for.
So I took what I could glean from Hynd’s designs and combined them with my alaia and Nohu knowledge to come up with this “Hyndsight” design. It’s 6’10”x 21 5/8”, about 3” thick but with a good amount of foam removed from the tail concaves and the nose. The top and rails were painted to match my old Sunshine quad from 1984. The bottom…well, I let my creativity get the better of me.
Left: The New model. Right: The inspiration from 1984.
Above: Pay no mind to the man behind the curtain…
Wednesday, July 13, 2011
The Malasada
It’s a “Hawaiian Biscuit”. Short, wide in both tail and nose and shallow rocker. Vee-tail with channels for speed. K3 fins on FCS Fusion inserts. Lightweight. This board will go airborne off the lip.

Labels:
airbrush,
art,
EPS,
finished products,
shortboards
Friday, July 1, 2011
A Reasonable Facsimile
One of the joys of doing surboard art is using my technical abilities to bring an artist’s design to life on foam. Noted artist Paul Arnold designed the spectacular graphic design for his Waimano model mini-longboard. For this design – I call this the “Malasada” model (it’s like a CI Biscuit…but Hawaiian) the young man who ordered the board worked up this design with his father:

Armed with my new Iwata airbrush – which, once one gets the paint consistency and air pressure figured out, works like a dream – I came up with this:





Armed with my new Iwata airbrush – which, once one gets the paint consistency and air pressure figured out, works like a dream – I came up with this:
Sunday, June 26, 2011
The Grey Ghost
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